On the basis of the staff in the saint's left hand, Diego Angulo Iñiguez and Alfonso Pérez Sánchez suspected that this could be either James the Younger or Jude Thaddeus.[1] Antonio Martínez Ripoll saw similarities to the Head of Saint Paul with His Throat Cut at the Museo Nacional del Prado (P 3058).[2] As with other drawings from this series, the eyes were highlighted with brown ink.

Jens Hoffmann-Samland


1 Angulo Iñiguez and Pérez Sánchez 1985, 20.
2 Martínez Ripoll 1978, 232.

Details zu diesem Werk

• Beschriftung

  Beschriftung fremd: Auf dem Verso in der Mitte nummeriert: "54" (Bleistift, unterstrichen)

• Provenienz

  [José Atanasio Echeverría]; Julian Benjamin Williams, Seville (d. 1866); John Wetherell (?) (d. 1865); Horatio/Nathan Wetherell (?) (until 1874); Frederick William Cosens, London (from 1874 to 1890); Sotheby's, London, auction of the property of Frederick William Cosens (from November 11 to 21, 1890); Bernard Quaritch Ltd., London (from November 1890 to July 1891); acquired by the Hamburger Kunsthalle (July 14, 1891).

• Bibliographie

  Tre siglos de dibujo sevillano, Alfonso Emilio Pérez Sánchez; Hospital de los Venerables, 1995, S. 124, Abb.-Nr. , Kat.-Nr. 39

  The Spanish Gesture. Drawings from Murillo to Goya in the Hamburger Kunsthalle, Jens Hoffmann-Samland, with contributions by María Cruz de Carlos Varona, Gabriele Finaldi, José Manuel Matilla u. a., 2014, S. 48-49, Abb., 214, Abb.-Nr. , Kat.-Nr. 80

  Spanische Zeichnungen von El Greco bis Goya, Wolf Stubbe; Hamburger Kunsthalle, 1966, S. 139-a-k, Abb. S. fig. 14, Abb.-Nr.

  Spanish Baroque Drawings in the Sperling Bequest., Jonathan Brown, 1973, S. 377(fig. 34 for one of the works from this series at the Metropolitan Museum of Art, New York; as Herrera the Younger), Abb.-Nr.

  Francisco de Herrera el Viejo, Martínez Ripoll, 1978, Abb. S. fig. 11, Abb.-Nr.

  El dibujo español de los Siglos de Oro, Pérez Sánchez; Ministerio de Cultura, Dirección General del Patrimonio Artístico, Archivos y Museos, 1980, S. 74, Abb. S. ill. XXXIV (Herrera the Elder and school), Abb.-Nr. , Kat.-Nr. 133

  A Corpus of Spanish Drawings, vol. III Seville School 1600 to 1650, Angulo Íñiguez and Pérez Sánchez; Herausgeber: Harvey Miller Publisher, 1985, S. 19-21, Abb. S. pls. IV-VI, Abb.-Nr. , Kat.-Nr. 11

  Sobre Herrera el Viejo, Alfonso E. Pérez Sánchez und Benito Navarrete Prieto; Herausgeber: Archivo Español de Arte 276, S. 365-87, Abb.-Nr.

  De Herrera a Velázquez. El primer naturalismo en Sevilla, Alfonso E. Pérez Sánchez und Benito Navarrete Prieto; Fundación Focus-Abengoa, Bilbao, Museo de Bellas Artes, 2005, S. 140, 144, nos. 7-10, Abb.-Nr.

  Recently Acquired Spanish Baroque Drawings at the Metropolitan Museum of Art, Carmen Bambach, 1999, S. 409, Abb. S. fig. 2, Abb.-Nr.